Very cool, if true

So Time Magazine set up a three way phone call with Joss Whedon and Neil Gaiman, which you can read here.


On Joss directing Wonder Woman:

JW: In my head, it's the finest film ever not typed yet. It's incredible fun, partially because I was never actually a huge fan. I never really felt there was . . . there's been some great work, but never one definitive run on the book for her, and I'm not a fan of the show. I feel like I'm taking an icon I already know and creating it for the first time.

NG: She's such a character without a definitive story. Or even without a definitive version.

JW: That's how I feel. I hope to change that because I really feel her. Let's face it: She's an Amazon, and she will not be denied.

TIME: I'm really hoping her bustier will slip down a little bit further than it did in the show.

JW: You're just after a porno, aren't you?

TIME: Yes.

JW: It's all about priorities. Yes, it's very empowering for her to be naked all the time.

On being at conventions:

TIME: Tim Burton's Corpse Bride is out this month as well, making it effectively national Goth month.

NG: We are Goth icons. Joss and I. We don't have to be Goths, because we are Goth icons.

JW: I'm low on mascara. It's weird. I've made my bones with vampires, but I've never really associated anything I did with Goth that much, except that I've kind of made fun of them. I don't really see that as much at the conventions and stuff in the fan base. It might be somebody in Goth make-up coming up and saying, oh, this is for my mom.

The great thing for me about the convention is almost the little microcosm of every society of hardcores. The Jedis really represented this year. Actually a lot of Siths as well. And the anime kids and the indie-comic guys. You can always sort of tell what everybody is into, and there they all are. There is something both universal and totally marginal about the crowd. That's what I love.

NG: Last time I was at Comicom, there were like 5,000 people there, and the audience was going to try and cut me off with stuff to sign. They had to figure out how to get me off the stage. All of a sudden, I'm getting to the end of the conversation. Dave McKean and I were doing a Mirrormask thing and we're ready to leave the stage. I look up and they have a bodyguard line of 30 Klingons. They're six-foot six and four-feet wide and they have the foreheads and they had linked arms. We were being lead off behind a human wall —a Klingon wall—of Klingon warriors. And I thought, how good does it get?