Ennui advice required
Oct. 4th, 2004 06:05 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
I feel like I need something, but I don't know what. Some part of me that used to be satisfied with cheap science fiction and wall-breaking psychadelic fiction - that would open up my world and show me something brand new. Everything seems like repetitions of the patterns I've seen before.
I remember when I could hear whole new _kinds_ of music - music that didn't sound like anything I'd heard before; when I could read fiction that worked in ways I hadn't seen before. And now, while there are some nice tweaks out there, some interesting riffs and variations, I haven't heard or read anything in a while that felt wholly new to me.
Part of this, I'm sure, is purely because after 11733 days of experience I've encountered a vast number of things. Not, by any means, everything, of course; but enough to get a general feel of a large number of subjects. Enough to get a general idea of how micro-economics links to psychology, links to sociology, links to politics, etc. Enough to get a feel for how the world flows around me and cope with it without it driving me mad with incomphrension. I've studied enough philosophy to know why looking for ultimate answers is just a nonsense.
Similarly, very little new technology stuff interests me - I've known computers get faster every year since 1990 - knowing that this years graphics card produces nicer graphics than last years just doesn't excite me - I haven't been impressed by CGI in a couple of years now, just by the uses it's put to.
And that's the other factor - the endlessly mutable possibilities of the digital age. In many ways the photograph killed representative art as anything more than a curiosity - what was the point of striving for authenticity and realism in your painting when a camera could do it so much better? In a similar vein - when computer artists can produce absolutely anything with their digital paintbrushes, why is anything more impressive than anything else? True - we're not there yet - but we're definitely very near the point where any image or effect can be produced - and when you've reached the stage where you can produce a horde of orcs rampaging across a post-apocalyptic New York, while the Statue of Liberty battles it out with Godzilla in the background, how can you possibly top that?
The same is true of music. Once you reach the stage where music is deconstructable into its component parts, each of which can then be stretched, compressed, distorted or otherwise mutated, you've opened it up to infinite possibilities. While we obviously haven't explored those possibilities fully (what with them being infinite and all), we seem to have hit the point where there are no more _kinds_ of exploration available. Making music faster, or slower, or crunchier, or more distorted, or simpler or more complex (etc, etc.) have been tried, along with introducing entirely non-musical elements and, indeed, removing the music altogether. Which brings me back to my earlier statement that it's been several years since I heard anything that didn't seem to be a variation on a theme.
This doesn't mean that I'm not generally happy on a moment-by-moment basis. But the things that drove me (looking for the next big thing, new experiences, new toys to play with) aren't driving me any more on a larger scale. There's a lack there, something I need to fill if I want to feel whole.
Any suggestions?
I remember when I could hear whole new _kinds_ of music - music that didn't sound like anything I'd heard before; when I could read fiction that worked in ways I hadn't seen before. And now, while there are some nice tweaks out there, some interesting riffs and variations, I haven't heard or read anything in a while that felt wholly new to me.
Part of this, I'm sure, is purely because after 11733 days of experience I've encountered a vast number of things. Not, by any means, everything, of course; but enough to get a general feel of a large number of subjects. Enough to get a general idea of how micro-economics links to psychology, links to sociology, links to politics, etc. Enough to get a feel for how the world flows around me and cope with it without it driving me mad with incomphrension. I've studied enough philosophy to know why looking for ultimate answers is just a nonsense.
Similarly, very little new technology stuff interests me - I've known computers get faster every year since 1990 - knowing that this years graphics card produces nicer graphics than last years just doesn't excite me - I haven't been impressed by CGI in a couple of years now, just by the uses it's put to.
And that's the other factor - the endlessly mutable possibilities of the digital age. In many ways the photograph killed representative art as anything more than a curiosity - what was the point of striving for authenticity and realism in your painting when a camera could do it so much better? In a similar vein - when computer artists can produce absolutely anything with their digital paintbrushes, why is anything more impressive than anything else? True - we're not there yet - but we're definitely very near the point where any image or effect can be produced - and when you've reached the stage where you can produce a horde of orcs rampaging across a post-apocalyptic New York, while the Statue of Liberty battles it out with Godzilla in the background, how can you possibly top that?
The same is true of music. Once you reach the stage where music is deconstructable into its component parts, each of which can then be stretched, compressed, distorted or otherwise mutated, you've opened it up to infinite possibilities. While we obviously haven't explored those possibilities fully (what with them being infinite and all), we seem to have hit the point where there are no more _kinds_ of exploration available. Making music faster, or slower, or crunchier, or more distorted, or simpler or more complex (etc, etc.) have been tried, along with introducing entirely non-musical elements and, indeed, removing the music altogether. Which brings me back to my earlier statement that it's been several years since I heard anything that didn't seem to be a variation on a theme.
This doesn't mean that I'm not generally happy on a moment-by-moment basis. But the things that drove me (looking for the next big thing, new experiences, new toys to play with) aren't driving me any more on a larger scale. There's a lack there, something I need to fill if I want to feel whole.
Any suggestions?
no subject
Date: 2004-10-04 10:28 am (UTC)no subject
Date: 2004-10-04 10:32 am (UTC)no subject
Date: 2004-10-04 10:57 am (UTC)I suggested creating things rather than just consuming things, art, sensuality, physicality :-)
no subject
Date: 2004-10-04 11:16 am (UTC)(does his cooking still suck, btw?)
There's three phases to Andy's cooking that I have witnessed.
Phase 1: The Student Years - Everything grilled/fried goes with potato waffles.
Phase 2: The Tentative Steps - Everything in a wok
Phase 3: The Curious Exploration - Everything in a steamer
Perhaps cordon bleu cooking will sate our chum's aching desires.
no subject
Date: 2004-10-05 12:41 pm (UTC)no subject
Date: 2004-10-04 11:09 am (UTC)Or, rather than looking to the future, look to the past.
Learn to do woodcuts, paint with tempura, become a conductor, play the lute or the lyre.. heck, invent a new system of movable type.
Yes, you can do anything with technology (and here I remember the kid in Fame saying "Who needs an orchestra when I have a synthesiser! I am an orchestra!" or something similar), but you're still doing it with technology. You can produce the same effect, but is the end result ALL that matters? If it is, then yes.. you are in a bit of a pickle in some ways.
If, on the other hand, the MEANS matters to you, then heck, go the long way round. Find something astounding that's created the old-fashioned way.
Or, in a simpler vein, go to the library. When I was bored one summer, I'd go to the library every two days, and check out four books. On the first day, they were four authors whose books I'd never read, whose surnames began with "A". Then the next time, go for "B"... They could be any books, picked at random, so not from genres/authors/publishers I might normally read. I didn't get all the way through the alphabet, but if you're that stuck, why not go for it?
(for reference, genre Westerns and Mill & Boon novels are bad. Very bad.)
no subject
Date: 2004-10-04 02:36 pm (UTC)no subject
Date: 2004-10-04 11:33 am (UTC)no subject
Date: 2004-10-04 02:36 pm (UTC)Cheers for the advice tho.
no subject
Date: 2004-10-04 12:43 pm (UTC)Me, I'm sating my thirst for the new by a course on How Paintings Work at Ed Uni Lifelong Learning.
no subject
Date: 2004-10-04 12:44 pm (UTC)-- Charles H. Duell, director of the U.S. Patent Office, 1899
"Everything seems like repetitions of the patterns I've seen before."
-- Andrew Ducker, self-confessed geek, 2004
no subject
Date: 2004-10-04 02:33 pm (UTC)no subject
Date: 2004-10-04 01:24 pm (UTC)After .3 seconds of thought I have decided to stick to my original answer. Learn to cook. Really cook. Not hamburger patties or beef stew. Pick out your favorite Chinese cuisine and learn to make it better than you've ever been able to buy it. Or your favorite dessert. Or whatever. Just learn to be an excellent cook with one item. Then go from there.
no subject
Date: 2004-10-04 04:32 pm (UTC)I could send you copies of those 2 mix cds I made last year... probably nothing on them that'll knock your socks off, but you never know.
no subject
Date: 2004-10-04 05:28 pm (UTC)it ain't all bullshit.
no subject
Date: 2004-10-05 03:57 am (UTC)When I'm engaged in some creative activity between contracts (the months when I'm out of work, when I'm not forced into a rational mode of thought eight hours a day), I'm aware that my mind is operating in a significantly different mode, a non-rational, non-thinking, doing mode. What I churn out may be rubbish, but it gets done and it's very satisfying.
But sometimes it's hard to go back. The non-rational side of the brain is just as hungry for your attention as the rational side, and once engaged it won't let go without a fight. When I'm back at work it is hard to re-establish the other mode and I resent the ugly rationality of it all. But my creative output also dries up. I can't write/photograph/draw anything decent while I'm working -- not because I don't have the time, or I'm too tired, but because I'm aware that the rational side of my brain becomes dominant again.
OK, I'm at work and I don't have time to edit this to make much sense, so I guess what I'm saying is this: Use the force, Luke.
no subject
Date: 2004-10-05 04:55 am (UTC)no subject
Date: 2004-10-06 04:29 pm (UTC)And maybe I'll try to follow some of my own advice one of these days.