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I usually like Ebert's reviews, but he rarely agrees with me perfectly. In the case of Naked, however, we seem to be in exact accord:
Leigh has said in an interview that while his earlier films (including "High Hopes" and "Life Is Sweet") might have embodied a socialist view of the world, this one edges over into anarchy. I agree. It suggests a world in which the operating systems have become distant from such inhabitants as Johnny and the women in the flat. The world is indifferent to them, and they to it. To some degree, they don't even know what's hit them. Johnny has a glimmer. His response is not hope or a plan. It is harsh, sardonic laughter. Destruction is his only response.