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Date: 2010-08-22 04:18 pm (UTC)no subject
Date: 2010-08-22 04:26 pm (UTC)On crowds: I'll agree that you can't really tell when crowds are CG, but I'll tell you what, watching Agora you could really tell that they weren't. It made a huge difference to the film for me - more dynamic, more human, just more real - and it made me wonder how much soul we've lost from films by using CG for crowd sequences - I need to go back and watch some old epics with that in mind at some point.
I do like that these advances mean that you can make big costume dramas on a lower budget, these days, I guess, but I'm waiting for the 'backlash' where the really big budget directors click that we've lost something by doing so and start distinguishing themselves by using live extras and real sets again. Again, Agora is a good example of how I might like to see this go.
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Date: 2010-08-22 10:00 pm (UTC)no subject
Date: 2010-08-22 10:04 pm (UTC)no subject
Date: 2010-08-22 10:05 pm (UTC)no subject
Date: 2010-08-22 10:06 pm (UTC)no subject
Date: 2010-08-23 07:55 am (UTC)no subject
Date: 2010-08-22 06:01 pm (UTC)It might just be the youtube compression but where the water meets the back (as in, the back from our perspective) of the harbour near the start looks odd.
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Date: 2010-08-22 06:04 pm (UTC)no subject
Date: 2010-08-22 09:57 pm (UTC)no subject
Date: 2010-08-24 08:45 am (UTC)no subject
Date: 2010-08-23 07:35 am (UTC)no subject
Date: 2010-08-23 07:43 am (UTC)no subject
Date: 2010-08-23 01:04 pm (UTC)Personally, when I watched this a year or so ago, I spent much of the time trying to convince myself that John Adams himself wasn't being played by John Sessions. I came close a few times, but then Paul Giamatti's (usually fairly good) accent would slip a little from Massachusetts/West Country into classical Thesp, and my mind would ding "Luvvie!" :D