Lilo and Stitch review
Apr. 22nd, 2003 10:29 amThere are times when I wish that you couldn’t tell what film review you were about to read. It’s impossible to start reading a review of Lilo & Stitch without expectations of Disneyfied shmaltz, songs and sundry other nonsense.
Lilo & Stitch isn’t like that. Well, not much like that, anyway.
Skipping briefly over the prologue, let’s take a look at our introduction to Lilo – the Hawiian girl who the film largely centers around. We first meet Lilo as she dashes towards dance rehearsals, dripping wet from the sea. She’s obviously quirky from the first moment we see her (when she photographs a fat, pasty tourist with all the relish of a fashion photographer stumbling over a supermodel) and we can tell that she has problems fitting in almost immediately. She’s unceremoniously removed from rehearsals for biting another girl (who clearly thinks that Lilo is mad) and rebuffed when she asks to play with the other girls later on.
The scene is heartbreaking – she asks them if they are going to play with their (perfect, Barbie-like) dollies. They reply that she doesn’t have a dolly, at which point she pulls out a monstrosity that she clearly stitched together herself. When they recoil, she calmly explains that the reason that the head is too big for the erst of the body is because a bug laid eggs in it and the dolly only has a week to live. When she looks back up, the other girls have vanished. Desolate, she wanders homewards.
Cut to – her older sister Nani rushing home to meet her. She arrives to find Lilo has nailed the door shut and is lying under the couch lip-synching to depressing Elvis songs. At which point the social-worker turns up (played by Ving “Marcellus Wallace” Rhames as the scariest social worker in the world). Nani breaks in, attempts to salvage the situation and is told by the social worker that she has three days to convince him that she’s not a terrible guardian. He leaves – at which point Lilo and Nani have the most realistic family argument I’ve seen since Mike Leigh.
At this point in the film my girlfriend, Erin, was almost in tears and I wasn’t far off. Thankfully, things then took a turn for the worse. Stitch arrives – an escaped psychotic alien bioweapon designed only for destruction – followed by two agents of the Galactic Federation sent to bring him back. Stitch hides by pretending to be a dog, Lilo falls in love with him (he is pretty cute, when he’s not drooling or tearing things into shreds) and he turns their life into hell.
Of course, it all turns out all right in the end – Lilo gets a new family, Stitch learns that destruction isn’t always the answer and the scary social worker turns out to have a mysterious past that solves everyone’s problems in the end. Along the way there’s some huge explosions Stitch uses both a car and a chainsaw as weapons and a small replica of Los Angeles is destroyed. It’s amazingly good fun.
The cast is uniformly excellent: Lilo is played by Daveigh Chase who was also in AI, The Ring and Donnie Darko; Nani is voiced by Tia Carrere; David Ogden Stiers (Mash) and Kevin MacDonald (Kids in the Hall) are the two Federation agents and Jason Scott Lee turns up in a bit part.
Highly recommended for children of all ages.
Score: 9/10
OBQuote:
Stitch: This is my family. I found it, all on my own. It's little, and broken, but still good.
----
Lilo: [creating voodoo dolls of her playmates] My friends need to be punished.
----
Lilo: Elvis Presley was a model citizen. I've compiled a list of his traits for you to practice. Number one...is dancing!
Lilo & Stitch isn’t like that. Well, not much like that, anyway.
Skipping briefly over the prologue, let’s take a look at our introduction to Lilo – the Hawiian girl who the film largely centers around. We first meet Lilo as she dashes towards dance rehearsals, dripping wet from the sea. She’s obviously quirky from the first moment we see her (when she photographs a fat, pasty tourist with all the relish of a fashion photographer stumbling over a supermodel) and we can tell that she has problems fitting in almost immediately. She’s unceremoniously removed from rehearsals for biting another girl (who clearly thinks that Lilo is mad) and rebuffed when she asks to play with the other girls later on.
The scene is heartbreaking – she asks them if they are going to play with their (perfect, Barbie-like) dollies. They reply that she doesn’t have a dolly, at which point she pulls out a monstrosity that she clearly stitched together herself. When they recoil, she calmly explains that the reason that the head is too big for the erst of the body is because a bug laid eggs in it and the dolly only has a week to live. When she looks back up, the other girls have vanished. Desolate, she wanders homewards.
Cut to – her older sister Nani rushing home to meet her. She arrives to find Lilo has nailed the door shut and is lying under the couch lip-synching to depressing Elvis songs. At which point the social-worker turns up (played by Ving “Marcellus Wallace” Rhames as the scariest social worker in the world). Nani breaks in, attempts to salvage the situation and is told by the social worker that she has three days to convince him that she’s not a terrible guardian. He leaves – at which point Lilo and Nani have the most realistic family argument I’ve seen since Mike Leigh.
At this point in the film my girlfriend, Erin, was almost in tears and I wasn’t far off. Thankfully, things then took a turn for the worse. Stitch arrives – an escaped psychotic alien bioweapon designed only for destruction – followed by two agents of the Galactic Federation sent to bring him back. Stitch hides by pretending to be a dog, Lilo falls in love with him (he is pretty cute, when he’s not drooling or tearing things into shreds) and he turns their life into hell.
Of course, it all turns out all right in the end – Lilo gets a new family, Stitch learns that destruction isn’t always the answer and the scary social worker turns out to have a mysterious past that solves everyone’s problems in the end. Along the way there’s some huge explosions Stitch uses both a car and a chainsaw as weapons and a small replica of Los Angeles is destroyed. It’s amazingly good fun.
The cast is uniformly excellent: Lilo is played by Daveigh Chase who was also in AI, The Ring and Donnie Darko; Nani is voiced by Tia Carrere; David Ogden Stiers (Mash) and Kevin MacDonald (Kids in the Hall) are the two Federation agents and Jason Scott Lee turns up in a bit part.
Highly recommended for children of all ages.
Score: 9/10
OBQuote:
Stitch: This is my family. I found it, all on my own. It's little, and broken, but still good.
----
Lilo: [creating voodoo dolls of her playmates] My friends need to be punished.
----
Lilo: Elvis Presley was a model citizen. I've compiled a list of his traits for you to practice. Number one...is dancing!