andrewducker (
andrewducker) wrote2011-10-09 12:17 pm
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Interesting Links for 9-10-2011
- The 99c novel. I already know people buying these. I wonder where the market is heading
(tags: books business amazon ebooks) - Blackboards in Porn - just how accurate are they?
(tags: porn sfw blackboard maths science) - You can't have closure. I want to know if it makes you happier if you stop trying to get it.
(tags: closure emotions life psychology) - Fascinating piece on how we think can read each other's emotions, even when we can't
(tags: emotions perception AmandaKnox) - The Judge Dredd movie is having problems...
(tags: JudgeDredd comics movies)
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Indeed...
you said yourself that the Kindle charts are a mess at the moment.
I was thinking more of something like metacritic combining user ratings and critic reviews rather than sales charts.
there will be a slippage of people from the "Just about making it as a full-time author" category down into "part time author with a job to support them".
There may well be such a slippage but the more pronounced phenomenon will be the much much larger class of people who consider themselves an author (IMHO).
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You're probably right. I think that we're nearing the point where a lot of people don't see a difference between bloggers and journalists, maybe authors will be next.
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Exactly... A few years ago it was pretty clear. If you had a book deal you were a "published author", if not... well, a lot of people like to write. (I mean I know there were people who considered themselves "authors" despite never getting a publishing deal and in some cases never completing a book.)
Assuming that the distinction does break down even more I can see an expanding class of people who write and "get published" who earn only a few grand a year from it. Because so many people simply like writing (and no bad thing) there's bound to be a lot of such books on the market. I imagine this will lead to a lot of people who believe "authors make a living at writing, I am an author, what is wrong with the system that I do not make a living."
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I can see people making money as reviewers with popular review sites being able to sell advertising. Perhaps not a living but pocket money or free books for reviewers with a good reputation and a strong following. Also people making money selling new software that helps me find high quality books as defined by me easily. I like the idea of the meta-critic.
I do pay attention to the star ratings on Amazon but they do need to approached with caution. There are often marks given for the quality of the delivery service for example and I find people are reviewers struggle to differentiate between “This book was not to my taste but was well written.” And “This book was not really badly written.”
I think this is the part of the value chain that was previously done by sub-editors and publishers and for which they were paid a salary. This doesn’t necessarily mean that it needs to cost money now.
When I was growing up in Australian I had quite low pocket money and books were relatively expensive. I was very, very conservative in my purchasing but I read voraciously from the library. I quite like the idea of having books recommended to me by a variety of people and being able to take a punt on them because they are $0.99.
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I quite like the idea of having books recommended to me by a variety of people and being able to take a punt on them because they are $0.99.
I must admit that these days, while I'm not well off, I'm sufficiently well off that I don't try to save money on book purchases... it's a good few hours of my life to read a book so I don't mind a few extra quid if I think it is a better book than the $0.99 or the free book. That said, if the $0.99 book is just as good and can be reliably recommended...
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Um, publishing? Talking to the printer, getting your book to reviewers, getting it to distributors, arranging for it to appear in good places in shops, and taking the hit on the cost of all of that, so that the author doesn't have to pay to get their book onto the shelves?
Of course, some of that goes away with ebooks. And all of it goes away if you only want to appear on Kindle. But if you don't want to end up with a monoculture then you're going to want your book to appear on more than just Amazon, and that means dealing with distributors at the very least.
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Yes, there is a necessity for a publisher (or a lot of running around) in the dead tree format scenario.
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I'm going to assume you've largely dealt with authors of the technical variety. And not ones who find writing Word documents tricky enough, thank-you-very-much :->
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Kindle is a standard in the same way that .doc is.
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Kindle is a standard in the same way that .doc is.
Exactly... It may be closed, baroque and rubbish but it's far better than the situation which preceded it. .doc may be a hunk of junk but the world before that was people saying "I've sent it in WordPerfect format... you could buy a copy if you like... or you could have plain text."
Any standard widely used (even a crap one invented by evil people for the purposes of doing evil) is better than a bunch of free and open incompatible standards with no take up.
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In the old days, in addition to their contribution to the final manuscript, I think publishers did some physical distribution co-ordination and provided a quality guarantee. I think the role of the quality guarantee is the one that is going to be hardest to replace.
Like you the price difference between $0.99 and $2.99 or $4.99 isn't likely to influence whether I spend the time on the book nearly as much as the quality is but in a world where price isn't necessarily an indicator of quality because sunk costs are low for the distributor I'm left wondering if I should take a punt on a book based on a particular recommendation. I would trust a recommendation from my dad more than I would some guy on a bus all things being equal. If the guy on the bus recommended a book that cost $0.99 I might be persuaded to try it out more readily than if it cost $4.99.
In fact, that's an interesting experiement right there. What is the premium I would pay for a book recommended by trusted source and a less trusted source?
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The Steam top sellers is, aside from on a big release week, often packed with things on sale.
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And there's always a niche for more expensive items, but it's Primark that's packed to capacity.
The question is whether price is a guide to quality in books. If it is then the divisions will stay. If you can get cheap books that are as good...
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There's also the difference in the way people treat their clothes. Clothes from Primark can be treated as cheap and disposable but those £150 jeans that look exactly like the ones from Primark but with a big badge on them? Only dry cleaning for my beautiful jeans!
It must be really frustrating for Primark executives, not being able to just shout "HOW DO YOU THINK WE SELL THEM SO CHEAP?!"
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http://www.dailymail.co.uk/femail/article-2025689/These-Choos-NOT-walking-The-425-designer-shoes-look-old-tatty-day-s-wear.html
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With a movie, a TV series, or a computer game, they sell it at full price for a while, it is bought at that price for a while. Then when pretty much everyone who is likely to buy it at that price has done so, they drop the price, and more people buy it. It also comes from the fact that once they've paid off the cost of making it, every additional sale is more profit (assuming they don't go under the cost to actually make and distribute the thing).
It's a fairly basic bit of economics; that there are X people that will buy a product at Y price. You want to make the best profits, so looking at supply versus demand, you set your price to do so. But if you can charge different people different prices, then as long as you stay above the cost to make the thing, you're making more profit. This is why Young Persons Railcards exist, why it costs less to get tickets to things when a child, a student, or an OAP. Separating by time is just another division — the book industry already does that with hardback versus softback releases.
Now, the argument back against that is that books often have more staying power; that there isn't the march of technology, of special effects, thus they're still as good as when they were first released, whereas a year or two year old game can look a bit crap compared to a new one.
Still I do think that, whilst they'd lose out getting more money from those who discover it and would be willing to pay the full price, overall they'd benefit from far more people being willing to buy books when they're cheaper. I know with Steam, there are lots of games that I have that I absolutely would not have bought at full price, but have gotten a lot of fun out of them for my fiver (or whatever).
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