andrewducker (
andrewducker) wrote2020-04-21 12:00 pm
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Interesting Links for 21-04-2020
- Noted Philosophers Reconsider Their Key Insights After a Month of Social Distancing
- (tags:philosophy funny pandemic )
- Denmark: No aid for companies which pay out dividends or are registered in tax havens
- (tags:Denmark tax pandemic )
- Why oil prices just went negative (and why they mostly didn't really)
- (tags:oil economics viaDanielDWilliam )
- Netflix's Sandman Series Was Casting and Building Sets When Netflix Shut It Down
- (tags:sandman TV Netflix pandemic )
- Five Reasons You Should Watch David Lynch's Dune
- (tags:video movies scifi )
- Why naively converting pictures to black and white looks wrong
- (tags:colour perception sight viaDrPlokta )
- A Video Trip Through Paris, France in late 1890s
- (tags:video history Paris France )
Paris 1890s
Re: Paris 1890s
Lynch's Dune ...
Somewhere on VCR tape I have the Alan Smithee cut, which didn't make any better a discoverable narrative, but it did show that a lot (oodles, bunches) more footage was shot than was shown (in either). I too would like to see the Lynch cut - I suspect the length would qualify for binge watching.
Re: Lynch's Dune ...
...if you haven't read the book, you'd be lost trying to work out what was going on in the movie, though if you had read the book, you'd be disappointed by the liberties taken with the source material. (My suspension of disbelief broke during the opening credits when the Fremen were shown walking in lockstep across sandy dunes. As if giant sandworms were mythical...)
Having said that, it was visually spectacular & the casting was for most part inspired. Patrick Stewart as Gurney Halleck was my favourite, and Kenneth McMillan really chewed up the scenery as The Baron Harkonnen.
Re: Lynch's Dune ...
But I don't need to entirely understand things to enjoy them.
no subject
I'd forgotten how beautiful Sting was when he was young. "Brimstone and Treacle" was a sure success whenever any college needed to raise money.
The later TV miniseries was basically worthy, faithful and dull, and also, fatally for its aesthetic credibility, cast William Hurt as Duke Leto.